The you-are-there quality in the production and Hogan’s honeyed wail give the album a sense of unity. The casual-sounding, late-night-at-the-bar mood allows her to really cut loose and wail. Hogan sounds as though she’s in her element. ![]() I Like to Keep Myself in Pain sounds as though it was recorded live in the studio, complete with false starts and barely-off-mic instrument count-offs. This album plays to her undeniable power as a live performer. While she’s not exactly prolific, this just makes the release of her latest album, I Like to Keep Myself in Pain, more of an event.Īs anyone who’s seen Hogan perform with Neko Case can attest, her greatest strengths lie in her live performances. (You might know her from her collaborations with Alejandro Escovedo and Jon Langford.) In the past twenty years she’s only released four albums, and her last full-length platter dropped in 2001. ![]() Kelly Hogan is a great talent with great pipes, great sass, and great friends and collaborators.
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